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As a photographer, I seek not only light but also occasionally discover useful props. Such was the case with an old window found discarded in a dumpster. I cleaned the window and dragged it into the studio. There was something about the character of the window that compelled me to cobble together a faux wall and a laced curtain. A few minimal props were added to enhance the ambiance. Finally, a lovely young woman was asked to pose. The focal point was the beautiful curve of the model’s back. The anatomy was sculpted with remotely triggered studio lighting. Water was misted onto the window to communicate condensation of the bathroom. The image was recorded on black and white medium format film.
[Square Format] As a photographer, I seek not only light but also occasionally discover useful props. Such was the case with an old window found discarded in a dumpster. I cleaned the window and dragged it into the studio. There was something about the character of the window that compelled me to cobble together a faux wall and a laced curtain. A few minimal props were added to enhance the ambiance. Finally, a lovely young woman was asked to pose. The focal point was the beautiful curve of the model’s back. The anatomy was sculpted with remotely triggered studio lighting. Water was misted onto the window to communicate condensation of the bathroom. The image was recorded on black and white medium format film.
During a layover in Chicago's O'Hare International Airport, I was impressed by the vibrant people-moving tunnel, prompting me to set up my tripod. Despite the significant number of people, I was confident that I could remove them through blending multiple exposures later on my computer. My focus for this shot was solely on one side of the tunnel. Upon transferring to the computer, I crafted a pleasing rendition having eliminated the people. I then flipped a copy of that image to create a mirror image and seamlessly connected them creating a very wide and complete graphic. All that was left was to add a few silhouetted passengers.
During a day of location scouting, my assistant and I came upon an abandoned house in the country. It had a wonderful service deck, but was in disarray after years of use by squatters. My assistant and I spent some time cleaning up layers of trash. As we worked, my imagination revealed what could provide an excellent set for a country hideaway – a lovely private nest for its occupant. As the vision evolved, a clothesline and white linen laundry were imported. Only the human element was needed. Because of its seclusion, why not have a nude model to punctuate what could be a photo illustration for a novel? The soft late morning light, with just a touch of fill from a reflector, was perfect. I decided that showing the model’s face was an unnecessary intrusion. Captured on medium format black and white film.
With its iconic design, the Douglas DC-3's wings tell tales of countless journeys. The DC-3, born from the 1930s as an evolved DC-2, left an indelible mark on aviation history. Its enduring legacy spans generations, celebrated for both form and function. In Lodi, California, a unique DC-3 takes center stage. Formerly a guardian of the skies, it now serves skydivers, epitomizing transformation. Amidst the Lodi Parachute Center, history and modernity unite, a vivid reminder that innovation can emerge from the unexpected. This high quality print is perfect for aviation aficionados and admirers of beauty in design. Transform your home or office with this iconic blend of history and artistry, inviting the spirit of flight and innovation to grace your walls.
Visual rhythm seen in a common, mundane item is often reason enough to embrace and exalt it. A surface of black glass was used to reflect and repeat the harmony. The enclosed environment was a cardboard box lined with black velvet. It had side hatches cut to access a bit of backlight. The front was cut away to provide visual access, and a 4x5 transparency sheet film captured the image. The Cash Register Tape makes entertaining wall art for the office.
Employing a technique known as intentional camera movement, I utilized digital previews to capture a fitting representation of rapidly flowing and turbulent creek water by employing a slow shutter speed. I crafted a paper boat from red craft paper and positioned it in the same natural light as the water. Subsequently, I photographed the paper boat on a silvery reflective surface, ensuring it was at an appropriate height and angle to mimic the surroundings of the creek water. The two exposures were then meticulously blended to form a unified image.